James Tissot

French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.


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James Tissot Algeron Moses Marsden oil


Algeron Moses Marsden
Painting ID::  70645
Algeron Moses Marsden
Medium Oil on canvas
Medium_Oil_on_canvas
   
   
     

James Tissot The Confidence oil


The Confidence
Painting ID::  70743
The Confidence
Medium Oil on canvas
Medium_Oil_on_canvas
   
   
     

James Tissot Seaside oil


Seaside
Painting ID::  71720
Seaside
c. 1878 Oil on canvas 87.5 x 61 cm
c._1878 _ Oil_on_canvas _ _87.5_x_61_cm
   
   
     

James Tissot Young Lady in a Boat. oil


Young Lady in a Boat.
Painting ID::  71751
Young Lady in a Boat.
1870(1870) Oil on canvas
1870(1870) _ _Oil_on_canvas
   
   
     

James Tissot A Woman of Ambition (Political Woman) also known as The Reception oil


A Woman of Ambition (Political Woman) also known as The Reception
Painting ID::  71863
A Woman of Ambition (Political Woman) also known as The Reception
1883-85 Oil on canvas 142.24 x 101.6 cm
1883-85 _ _Oil_on_canvas _ _142.24_x_101.6_cm
   
   
     

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     James Tissot
     French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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