Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.


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Jean Auguste Dominique Ingres The Turkish Bath oil


The Turkish Bath
Painting ID::  87985
The Turkish Bath
1862(1862) Medium Oil on canvas on wood cyf
1862(1862) _ Medium_Oil_on_canvas_on_wood _ cyf
   
   
     

Jean Auguste Dominique Ingres Odalisque in Grisaille oil


Odalisque in Grisaille
Painting ID::  88326
Odalisque in Grisaille
1824-34 Medium Oil on canvas Dimensions 83.2 x 109.2 cm (32.8 x 43 in) cjr
   
   
     

Jean Auguste Dominique Ingres Academic Study of a Male Torse. oil


Academic Study of a Male Torse.
Painting ID::  89049
Academic Study of a Male Torse.
1801(1801) Medium oil on canvas Dimensions 97.5 x 80.6 cm (38.4 x 31.7 in) cjr
   
   
     

Jean Auguste Dominique Ingres Jupiter and Thetis oil


Jupiter and Thetis
Painting ID::  90953
Jupiter and Thetis
1811(1811) Medium oil on canvas Dimensions 327 x 260 cm (128.7 x 102.4 in) cyf
   
   
     

Jean Auguste Dominique Ingres Apotheose Napoleons I. oil


Apotheose Napoleons I.
Painting ID::  91202
Apotheose Napoleons I.
1853(1853) Medium oil on canvas Dimensions Deutsch: 49 x 49 cm cjr
   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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