Jean Marc Nattier

1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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Jean Marc Nattier The Countess Tessin oil


The Countess Tessin
Painting ID::  19623 		The Countess Tessin
1741 Oil on canvas Mus??e du Louvre, Paris.
1741 Oil_on_canvas Mus??e_du_Louvre,_Paris.
   
   
     
Jean Marc Nattier Mademoiselle de Lambesc as Minerva, Arming her Brother the Comte de Brionne oil


Mademoiselle de Lambesc as Minerva, Arming her Brother the Comte de Brionne
Painting ID::  19624 		Mademoiselle de Lambesc as Minerva, Arming her Brother the Comte de Brionne
1732 Oil on canvas Mus??e du Louvre, Paris.
1732 Oil_on_canvas Mus??e_du_Louvre,_Paris.
   
   
     
Jean Marc Nattier Henrietta of France as Flora oil


Henrietta of France as Flora
Painting ID::  19625 		Henrietta of France as Flora
1742 Oil on canvas Palazzo Pitti, Florence.
1742 Oil_on_canvas Palazzo_Pitti,_Florence.
   
   
     
Jean Marc Nattier Portrait of Madame Sophie, Daughter of Louis XV oil


Portrait of Madame Sophie, Daughter of Louis XV
Painting ID::  19626 		Portrait of Madame Sophie, Daughter of Louis XV
Oil on canvas Chateau de Versailles, France
Oil_on_canvas Chateau_de_Versailles,_France
   
   
     
Jean Marc Nattier Marie-Adlaide of France as Diana oil


Marie-Adlaide of France as Diana
Painting ID::  19627 		Marie-Adlaide of France as Diana
1745 Oil on canvas Palazzo Pitti, Florence.
1745 Oil_on_canvas Palazzo_Pitti,_Florence.
   
   
     
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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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