Jean Marc Nattier

1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.


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Jean Marc Nattier Madame Henriette as Flora oil


Madame Henriette as Flora
Painting ID::  33761
Madame Henriette as Flora
mk86 1742 Oil on canvas 94.6x128.5cm Florence,Galleria degli Uffizi
   
   
     

Jean Marc Nattier The Battle of Lesnaya oil


The Battle of Lesnaya
Painting ID::  40535
The Battle of Lesnaya
mk156 1717 Oil on canvas 90x112cm
mk156 1717 Oil_on_canvas 90x112cm
   
   
     

Jean Marc Nattier The Duchesse d-Orleans as Hebe oil


The Duchesse d-Orleans as Hebe
Painting ID::  40550
The Duchesse d-Orleans as Hebe
mk156 1744 Oil on canvas 144x110cm
mk156 1744 Oil_on_canvas 144x110cm
   
   
     

Jean Marc Nattier Manon Balletti oil


Manon Balletti
Painting ID::  43247
Manon Balletti
mk170 1757 Oil on canvas 54x47.5cm
mk170 1757 Oil_on_canvas 54x47.5cm
   
   
     

Jean Marc Nattier the comtesse de tillieres oil


the comtesse de tillieres
Painting ID::  64311
the comtesse de tillieres
1750 london, the wallace collection
1750 london,_the_wallace_collection
   
   
     

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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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