Jean Marc Nattier

1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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Jean Marc Nattier Duchesse de Chartres as Hebe oil


Duchesse de Chartres as Hebe
Painting ID::  77001 		Duchesse de Chartres as Hebe
Medium Oil on canvas Dimensions 140 ?? 107 cm (55.1 ?? 42.1 in) cyf
   
   
     
Jean Marc Nattier Princess Marie Adelaide of France oil


Princess Marie Adelaide of France
Painting ID::  77211 		Princess Marie Adelaide of France
1751(1751) Medium Oil on canvas Dimensions 106 ?? 138 cm (41.7 ?? 54.3 in) cyf
   
   
     
Jean Marc Nattier Madame de Maison-Rouge as Diana oil


Madame de Maison-Rouge as Diana
Painting ID::  77219 		Madame de Maison-Rouge as Diana
Date 1756(1756) Medium Oil on canvas Dimensions 136.5 ?? 105.1 cm (53.7 ?? 41.4 in) cyf
   
   
     
Jean Marc Nattier Madame de Maison Rouge as Diana oil


Madame de Maison Rouge as Diana
Painting ID::  77275 		Madame de Maison Rouge as Diana
Date 1756(1756) Medium Oil on canvas Dimensions 136.5 ?? 105.1 cm (53.7 ?? 41.4 in) cyf
   
   
     
Jean Marc Nattier Marie Zephirine de France oil


Marie Zephirine de France
Painting ID::  77396 		Marie Zephirine de France
Date ca. 1751(1751) Medium Oil on canvas Dimensions 70 x 82 cm (27.6 x 32.3 in) cyf
   
   
     
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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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