Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Portrait of Peier oil


Portrait of Peier
Painting ID::  53189
Portrait of Peier
mk227 99x81cm
mk227 99x81cm
   
   
     

Jean-Auguste Dominique Ingres Portrait of man oil


Portrait of man
Painting ID::  53190
Portrait of man
mk227 75.2x58.1cm 1810
mk227 75.2x58.1cm 1810
   
   
     

Jean-Auguste Dominique Ingres Portrait of Paul oil


Portrait of Paul
Painting ID::  53191
Portrait of Paul
mk227 46x35cm 1810-1811
mk227 46x35cm 1810-1811
   
   
     

Jean-Auguste Dominique Ingres Portrait of Idemi oil


Portrait of Idemi
Painting ID::  53192
Portrait of Idemi
mk227 Oil on canvas 94x69cm
mk227 Oil_on_canvas 94x69cm
   
   
     

Jean-Auguste Dominique Ingres Portrait of woman oil


Portrait of woman
Painting ID::  53193
Portrait of woman
mk227 1811 Oil on canvas
mk227 1811 Oil_on_canvas
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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