Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Portrait of henli oil


Portrait of henli
Painting ID::  53225
Portrait of henli
mk227 Oil on canvas 218x131cm
mk227 Oil_on_canvas 218x131cm
   
   
     

Jean-Auguste Dominique Ingres Portrait of Yake oil


Portrait of Yake
Painting ID::  53226
Portrait of Yake
mk227 121x95cm 1832
mk227 121x95cm 1832
   
   
     

Jean-Auguste Dominique Ingres Portrait of Lady oil


Portrait of Lady
Painting ID::  53276
Portrait of Lady
mk227 146.7x100.3cm 1851
mk227 146.7x100.3cm 1851
   
   
     

Jean-Auguste Dominique Ingres Portrait of Felibi oil


Portrait of Felibi
Painting ID::  53277
Portrait of Felibi
mk227 oil on canvas 115x90cm 1804-1805
mk227 oil_on_canvas 115x90cm 1804-1805
   
   
     

Jean-Auguste Dominique Ingres Miss Kalolin oil


Miss Kalolin
Painting ID::  53278
Miss Kalolin
mk227 oil on canvas 99.5x64.5cm 1806
mk227 oil_on_canvas 99.5x64.5cm 1806
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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