Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Portrait of a man oil


Portrait of a man
Painting ID::  53289
Portrait of a man
mk227 Oil on canvas 75.2x58.1cm 1810
mk227 Oil_on_canvas 75.2x58.1cm 1810
   
   
     

Jean-Auguste Dominique Ingres Portrait of Idemi oil


Portrait of Idemi
Painting ID::  53290
Portrait of Idemi
mk227 94x69cm 1811
mk227 94x69cm 1811
   
   
     

Jean-Auguste Dominique Ingres Portrait of Bili oil


Portrait of Bili
Painting ID::  53291
Portrait of Bili
mk227 Oil on canvas 1780-1806
mk227 Oil_on_canvas 1780-1806
   
   
     

Jean-Auguste Dominique Ingres Lafier and Finali oil


Lafier and Finali
Painting ID::  53292
Lafier and Finali
mk227 Oil on canvas 66x56cm 1814
mk227 Oil_on_canvas 66x56cm 1814
   
   
     

Jean-Auguste Dominique Ingres Lady of Hery oil


Lady of Hery
Painting ID::  53293
Lady of Hery
mk227 oil on canvas 73x62cm
mk227 oil_on_canvas 73x62cm
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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