Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Self-portrait oil


Self-portrait
Painting ID::  53220
Self-portrait
mk227 78.1x61cm 1804
mk227 78.1x61cm 1804
   
   
     

Jean-Auguste Dominique Ingres Self-portrait oil


Self-portrait
Painting ID::  53221
Self-portrait
mk227 Oil on canvas 60x54cm 1858
mk227 Oil_on_canvas 60x54cm 1858
   
   
     

Jean-Auguste Dominique Ingres Self-portrait oil


Self-portrait
Painting ID::  53222
Self-portrait
mk227 Oil on canvas 86.4x69.9cm
mk227 Oil_on_canvas 86.4x69.9cm
   
   
     

Jean-Auguste Dominique Ingres Self-portrait oil


Self-portrait
Painting ID::  53223
Self-portrait
mk227 oil on canvas
mk227 oil_on_canvas
   
   
     

Jean-Auguste Dominique Ingres Portrait of man oil


Portrait of man
Painting ID::  53224
Portrait of man
mk227 1834cm Oil on canvas
mk227 1834cm Oil_on_canvas
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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