Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Maeki oil


Maeki
Painting ID::  53268
Maeki
mk227 Oil on canvas 1811
mk227 Oil_on_canvas 1811
   
   
     

Jean-Auguste Dominique Ingres Self-Portrait oil


Self-Portrait
Painting ID::  53299
Self-Portrait
mk227 oil on canvas 86.4x69.9cm 1804
mk227 oil_on_canvas 86.4x69.9cm 1804
   
   
     

Jean-Auguste Dominique Ingres Portrait of man oil


Portrait of man
Painting ID::  53300
Portrait of man
mk227 Oil on canvas 1834
mk227 Oil_on_canvas 1834
   
   
     

Jean-Auguste Dominique Ingres Portrait of Yakilusi oil


Portrait of Yakilusi
Painting ID::  53301
Portrait of Yakilusi
mk227 Oil on canvas 121x95cm 1832
mk227 Oil_on_canvas 121x95cm 1832
   
   
     

Jean-Auguste Dominique Ingres La Grande Baigneuse oil


La Grande Baigneuse
Painting ID::  53864
La Grande Baigneuse
mk234 1808 146x97cm
mk234_ 1808_ 146x97cm
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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