Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Portrait of Derfina oil


Portrait of Derfina
Painting ID::  53210
Portrait of Derfina
mk227 Oil on canvas 63x50cm 1859
mk227 Oil_on_canvas 63x50cm 1859
   
   
     

Jean-Auguste Dominique Ingres Goddess oil


Goddess
Painting ID::  53211
Goddess
mk227 oil on canvas 1854cm
mk227 oil_on_canvas 1854cm
   
   
     

Jean-Auguste Dominique Ingres Zhulute and Xitixi oil


Zhulute and Xitixi
Painting ID::  53212
Zhulute and Xitixi
mk227 Oil on canvas 1811
mk227 Oil_on_canvas 1811
   
   
     

Jean-Auguste Dominique Ingres Portrait of Ausongwi oil


Portrait of Ausongwi
Painting ID::  53213
Portrait of Ausongwi
mk227 Oil on canvas 136x32cm 1845
mk227 Oil_on_canvas 136x32cm 1845
   
   
     

Jean-Auguste Dominique Ingres Portrait of Bedi oil


Portrait of Bedi
Painting ID::  53214
Portrait of Bedi
mk227 Oil on canvas 141.8x101.5cm 1848
mk227 Oil_on_canvas 141.8x101.5cm 1848
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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