Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Yileyatei oil


Yileyatei
Painting ID::  53215
Yileyatei
mk227 Oil on canvas 1855
mk227 Oil_on_canvas 1855
   
   
     

Jean-Auguste Dominique Ingres Portrait of Yase oil


Portrait of Yase
Painting ID::  53216
Portrait of Yase
mk227 Oil on canvas 56x46cm 1805
mk227 Oil_on_canvas 56x46cm 1805
   
   
     

Jean-Auguste Dominique Ingres Portrait of Lolun oil


Portrait of Lolun
Painting ID::  53217
Portrait of Lolun
mk227 Oil on canvas 98x80cm 1805
mk227 Oil_on_canvas 98x80cm 1805
   
   
     

Jean-Auguste Dominique Ingres Study of Princess oil


Study of Princess
Painting ID::  53218
Study of Princess
mk227 oil on canvas 121.3x90.8cm
mk227 oil_on_canvas 121.3x90.8cm
   
   
     

Jean-Auguste Dominique Ingres Study of Princess in detail oil


Study of Princess in detail
Painting ID::  53219
Study of Princess in detail
mk227
mk227
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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