Joachim Beuckelaer

1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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Joachim Beuckelaer Market Scene oil


Market Scene
Painting ID::  88990 		Market Scene
second half of 16th century Medium oil on wood cyf
second_half_of_16th_century _ Medium_oil_on_wood _ cyf
   
   
     
Joachim Beuckelaer Christ on the Cross oil


Christ on the Cross
Painting ID::  88991 		Christ on the Cross
1567(1567) Medium Oil on wood cyf
1567(1567) _ Medium_Oil_on_wood _ cyf
   
   
     
Joachim Beuckelaer Beuckelaer oil


Beuckelaer
Painting ID::  89343 		Beuckelaer
1563(1563) Medium oil on oak cyf
1563(1563) _ Medium_oil_on_oak _ cyf
   
   
     
Joachim Beuckelaer Slaughtered Pig oil


Slaughtered Pig
Painting ID::  89652 		Slaughtered Pig
1563(1563) Medium oil on oak cyf
1563(1563) _ Medium_oil_on_oak _ cyf
   
   
     
Joachim Beuckelaer Market Woman with Fruit oil


Market Woman with Fruit
Painting ID::  89955 		Market Woman with Fruit
1564(1564) Medium oil on oak cyf
1564(1564) _ Medium_oil_on_oak _ cyf
   
   
     
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     Joachim Beuckelaer
     1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.

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