Joachim Wtewael

1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).


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Joachim Wtewael Supper at Emmaus oil


Supper at Emmaus
Painting ID::  675
Supper at Emmaus

   
   
     

Joachim Wtewael Perseus and Andromeda oil


Perseus and Andromeda
Painting ID::  682
Perseus and Andromeda
1611 Musee du Louvre, Paris
1611 _Musee_du_Louvre,_Paris
   
   
     

Joachim Wtewael Jupiter and Danae (mk05) oil


Jupiter and Danae (mk05)
Painting ID::  20363
Jupiter and Danae (mk05)
Copper 8 1/4 x 6 1/4''(21 x 16 cm).Acquired in 1979
Copper_8_1/4_x_6_1/4''(21_x_16_cm).Acquired_in_1979
   
   
     

Joachim Wtewael Perseus and Andromeda (mk05) oil


Perseus and Andromeda (mk05)
Painting ID::  20364
Perseus and Andromeda (mk05)
1611 Canvas,71 x 59''(180 x 150 cm)Given in 1982
1611 Canvas,71_x_59''(180_x_150_cm)Given_in_1982
   
   
     

Joachim Wtewael Self-Portrait oil


Self-Portrait
Painting ID::  26770
Self-Portrait
mk52 1601 Oil on wood 98x74cm Centraal Museum,Utrecht
mk52 1601 Oil_on_wood 98x74cm Centraal_Museum,Utrecht
   
   
     

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     Joachim Wtewael
     1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).

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