John Henry Twachtman

American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
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John Henry Twachtman Reflections oil


Reflections
Painting ID::  71586 		Reflections
between 1893(1893) and 1894(1894) Oil on canvas 75.7 x 76.1 cm (29.8 x 29.96 in)
   
   
     
John Henry Twachtman Reflections oil


Reflections
Painting ID::  72779 		Reflections
Date between 1893(1893) and 1894(1894) Medium Oil on canvas Dimensions 75.7 X 76.1 cm (29.8 X 29.96 in) cyf
   
   
     
John Henry Twachtman End of the Rain oil


End of the Rain
Painting ID::  72849 		End of the Rain
Date between 1900(1900) and 1901(1901) Medium Oil on board Dimensions 29.8 X 31.7 cm (11.73 X 12.48 in) cyf
   
   
     
John Henry Twachtman Winter Landscape oil


Winter Landscape
Painting ID::  90746 		Winter Landscape
1890-1900 Medium oil on canvas Dimensions Français : 76.5 x 76.5 cm cjr
   
   
     
John Henry Twachtman Snow Scene oil


Snow Scene
Painting ID::  93867 		Snow Scene
circa 1890(1890) Medium oil on canvas Dimensions 10 x 14 in (25.4 x 35.6 cm) cjr
   
   
     
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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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