John Henry Twachtman

American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,


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John Henry Twachtman Waterfall in Yellowstone oil


Waterfall in Yellowstone
Painting ID::  41489
Waterfall in Yellowstone
mk162 c.1895 Oil on canvas 23x16
mk162 c.1895 Oil_on_canvas 23x16
   
   
     

John Henry Twachtman Arques-la-Bataille oil


Arques-la-Bataille
Painting ID::  44793
Arques-la-Bataille
mk177 1885 Oil on canvas 60x78in
mk177 1885 Oil_on_canvas 60x78in
   
   
     

John Henry Twachtman Gloucester Harbor oil


Gloucester Harbor
Painting ID::  44802
Gloucester Harbor
mk177 1901 Oil on canvas 25x25in
mk177 1901 Oil_on_canvas 25x25in
   
   
     

John Henry Twachtman THe Waterfall oil


THe Waterfall
Painting ID::  44803
THe Waterfall
mk177 c.1890-1900 Oil on canvas 30x30in
mk177 c.1890-1900 Oil_on_canvas 30x30in
   
   
     

John Henry Twachtman The White Bridge oil


The White Bridge
Painting ID::  44815
The White Bridge
mk177 1900 Oil on canvas 30x25
mk177 1900 Oil_on_canvas 30x25
   
   
     

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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