John Henry Twachtman

American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,


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John Henry Twachtman Azaleas oil


Azaleas
Painting ID::  44837
Azaleas
mk177 1898 Oil on canvas 30x24
mk177 1898 Oil_on_canvas 30x24
   
   
     

John Henry Twachtman New York Haffen oil


New York Haffen
Painting ID::  45309
New York Haffen
mk181 1879 Cincinnati
mk181 1879 Cincinnati
   
   
     

John Henry Twachtman On the Terrace oil


On the Terrace
Painting ID::  49466
On the Terrace
mk196 c.1897
mk196 c.1897
   
   
     

John Henry Twachtman Winter Scene oil


Winter Scene
Painting ID::  50578
Winter Scene
mk212 1890-1900 Oil on canvas 76.5x76.5
mk212 1890-1900 Oil_on_canvas 76.5x76.5
   
   
     

John Henry Twachtman Winter Harmony oil


Winter Harmony
Painting ID::  54485
Winter Harmony
mk235 c.1890-1900 Oil on canvas
mk235 c.1890-1900 Oil_on_canvas
   
   
     

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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