John Henry Twachtman

American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,


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John Henry Twachtman End of Winter oil


End of Winter
Painting ID::  30856
End of Winter
mk68 Oil on canvas Washington Smithsonian American Art. c.1889 USA
   
   
     

John Henry Twachtman Arques la Bataille oil


Arques la Bataille
Painting ID::  31701
Arques la Bataille
mk75 1885 Huile sur toile:152.4x200.3cm
mk75 1885 Huile_sur_toile:152.4x200.3cm
   
   
     

John Henry Twachtman The White Bridge oil


The White Bridge
Painting ID::  32038
The White Bridge
mk77 Mid-1890s Oil on canvas 30 1/4x30 1/4in
mk77 Mid-1890s Oil_on_canvas 30_1/4x30_1/4in
   
   
     

John Henry Twachtman Meadow Flowers oil


Meadow Flowers
Painting ID::  39098
Meadow Flowers
mk140 circa 1892 Oil on canvas 84.6x56.3cm
mk140 circa_1892 Oil_on_canvas 84.6x56.3cm
   
   
     

John Henry Twachtman Hemlock Pool oil


Hemlock Pool
Painting ID::  39300
Hemlock Pool
mk146 ca.1900
mk146 ca.1900
   
   
     

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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