John Neagle

1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.
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John Neagle Pat Lyon at the Forge oil


Pat Lyon at the Forge
Painting ID::  4251 		Pat Lyon at the Forge
1826-27 Museum of Fine Arts, Boston
1826-27_ Museum_of_Fine_Arts,_Boston
   
   
     
John Neagle Pat Lyon at the Forge oil


Pat Lyon at the Forge
Painting ID::  31983 		Pat Lyon at the Forge
mk77 1826-27 93x68in
mk77 1826-27 93x68in
   
   
     
John Neagle Gilbert_Stuart oil


Gilbert_Stuart
Painting ID::  83005 		Gilbert_Stuart
Date 1825(1825) Medium Oil on canvas Dimensions 68.9 x 56.2 cm (27.1 x 22.1 in) cjr
   
   
     
John Neagle George Peabody oil


George Peabody
Painting ID::  83305 		George Peabody
Date 1822(1822) Medium Oil on canvas Dimensions 76.2 x 63.82 cm (30 x 25.1 in) cjr
   
   
     
John Neagle Henry_Clay oil


Henry_Clay
Painting ID::  83307 		Henry_Clay
Date 1842(1842) Medium Oil on canvas cjr
Date_1842(1842) _ Medium_Oil_on_canvas _ cjr
   
   
     
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     John Neagle
     1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.

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