John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse 1909 oil


1909
Painting ID::  458
1909
1891 National Gallery of Victoria, Melbourne
1891_ National_Gallery_of_Victoria,_Melbourne
   
   
     

John William Waterhouse Two Little Italian Girls By a Village oil


Two Little Italian Girls By a Village
Painting ID::  459
Two Little Italian Girls By a Village
1875
1875
   
   
     

John William Waterhouse Portrait of Miss Margaret Henderson oil


Portrait of Miss Margaret Henderson
Painting ID::  460
Portrait of Miss Margaret Henderson
1900
1900
   
   
     

John William Waterhouse Ophelia (mk19) oil


Ophelia (mk19)
Painting ID::  22286
Ophelia (mk19)
undated Oil on canvas,102 x 64 cm The Pre-Raphaelite Trust,London
   
   
     

John William Waterhouse Resting oil


Resting
Painting ID::  27666
Resting
mk58 c.1886 watercolour and bodycolour on paper 35.5x18cm
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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