John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse The Lady of Shalott oil


The Lady of Shalott
Painting ID::  27628
The Lady of Shalott
mk58 1888 60 1/4x78 3/8in London,Tate Gallery
mk58 1888 60_1/4x78_3/8in London,Tate_Gallery
   
   
     

John William Waterhouse Study of a Garden on Capri oil


Study of a Garden on Capri
Painting ID::  27629
Study of a Garden on Capri
mk56 c.1889 pencil on paper Victoria and Albert Museum,London
   
   
     

John William Waterhouse Circe Invidiosa oil


Circe Invidiosa
Painting ID::  27630
Circe Invidiosa
mk58 1892 oil on canvas 180.7x87.4cm Art Gallery of South Australia,Adelaide
   
   
     

John William Waterhouse Sleep and his Half-Brother oil


Sleep and his Half-Brother
Painting ID::  27631
Sleep and his Half-Brother
mk58 Death 1874 28x36cm Courtesy Sotheby s
mk58 Death 1874 28x36cm Courtesy_Sotheby_s
   
   
     

John William Waterhouse Sketch for A Mermaid oil


Sketch for A Mermaid
Painting ID::  27632
Sketch for A Mermaid
mk58 1892 oil on canvas 33.5x19.5cm
mk58 1892 oil_on_canvas 33.5x19.5cm
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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