John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse La Belle Dame sans Merci oil


La Belle Dame sans Merci
Painting ID::  61563
La Belle Dame sans Merci
La Belle Dame sans Merci 1893
La_Belle_Dame_sans_Merci 1893
   
   
     

John William Waterhouse The Lady of Shalott Looking at Lancelot oil


The Lady of Shalott Looking at Lancelot
Painting ID::  61564
The Lady of Shalott Looking at Lancelot
The Lady of Shalott Looking at Lancelot 1894
The_Lady_of_Shalott_Looking_at_Lancelot 1894
   
   
     

John William Waterhouse Ophelia oil


Ophelia
Painting ID::  61565
Ophelia
Ophelia 1894
Ophelia 1894
   
   
     

John William Waterhouse The Shrine oil


The Shrine
Painting ID::  61566
The Shrine
The Shrine 1895
The_Shrine 1895
   
   
     

John William Waterhouse Saint Cecilia oil


Saint Cecilia
Painting ID::  61567
Saint Cecilia
Saint Cecilia 1895
Saint_Cecilia 1895
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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