John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse St.Eulalia oil


St.Eulalia
Painting ID::  451
St.Eulalia
1885 Tate Gallery, London
1885__ Tate_Gallery,_London
   
   
     

John William Waterhouse The Awakening of Adonis oil


The Awakening of Adonis
Painting ID::  452
The Awakening of Adonis
1900
1900
   
   
     

John William Waterhouse The Orange Gatherers oil


The Orange Gatherers
Painting ID::  453
The Orange Gatherers
1890
1890
   
   
     

John William Waterhouse The Remorse of Nero after the Murder of his Mother oil


The Remorse of Nero after the Murder of his Mother
Painting ID::  454
The Remorse of Nero after the Murder of his Mother
1878
1878
   
   
     

John William Waterhouse Thisbe oil


Thisbe
Painting ID::  455
Thisbe
1909
1909
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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