John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse The Enchanted Garden oil


The Enchanted Garden
Painting ID::  27713
The Enchanted Garden
mk58 1915-16 oil on canvas mounted on board 35.2x50.5cm
   
   
     

John William Waterhouse Dante and Beatrice oil


Dante and Beatrice
Painting ID::  27714
Dante and Beatrice
mk58 c.1914-17 oil on canvas mounted on wood 49.5x62.2cm Dahesh Museum of Art , New York
   
   
     

John William Waterhouse The Mystic Wood oil


The Mystic Wood
Painting ID::  27715
The Mystic Wood
mk58 c.1914-17 oil on canvas 98x146.2cm
mk58 c.1914-17 oil_on_canvas 98x146.2cm
   
   
     

John William Waterhouse La Belle Dame sans Merci oil


La Belle Dame sans Merci
Painting ID::  28042
La Belle Dame sans Merci
1893 oil on canvas 110.5 x 81 cm (43 1/2 x 32 in) Hessisches Landesmuseum,Darmstadt (mk63)
   
   
     

John William Waterhouse The Crystal Ball oil


The Crystal Ball
Painting ID::  51822
The Crystal Ball
mk221 1902 Oil on canvas 120.7x78.7cm
mk221 1902 Oil_on_canvas 120.7x78.7cm
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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