John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse A Song  of Springtime oil


A Song of Springtime
Painting ID::  51823
A Song of Springtime
mk221 1913 Oil on canvas 72x92cm
mk221 1913 Oil_on_canvas 72x92cm
   
   
     

John William Waterhouse Hylas and the Water Nymphs oil


Hylas and the Water Nymphs
Painting ID::  53461
Hylas and the Water Nymphs
mk231 Oil on canvas 1896
mk231 Oil_on_canvas 1896
   
   
     

John William Waterhouse The Lady of Shalott oil


The Lady of Shalott
Painting ID::  53462
The Lady of Shalott
mk231 1894 Oil on cnvas 120.5x68.3cm
mk231 1894 Oil_on_cnvas 120.5x68.3cm
   
   
     

John William Waterhouse Undine oil


Undine
Painting ID::  61541
Undine
Undine 1872
Undine 1872
   
   
     

John William Waterhouse Gone, But Not Forgotten oil


Gone, But Not Forgotten
Painting ID::  61542
Gone, But Not Forgotten
Gone, But Not Forgotten 1873
Gone,_But_Not_Forgotten 1873
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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