John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse La Fileuse (mk41) oil


La Fileuse (mk41)
Painting ID::  25632
La Fileuse (mk41)
1874 Panel 12 1/2x10in
1874 Panel 12_1/2x10in
   
   
     

John William Waterhouse After the Dance (mk41) oil


After the Dance (mk41)
Painting ID::  25633
After the Dance (mk41)
1876 30x50in
1876 30x50in
   
   
     

John William Waterhouse Sick Child brought into the Temple of Aesculapius (mk41) oil


Sick Child brought into the Temple of Aesculapius (mk41)
Painting ID::  25634
Sick Child brought into the Temple of Aesculapius (mk41)
1877 67x82in
1877 67x82in
   
   
     

John William Waterhouse Diogenes (mk41) oil


Diogenes (mk41)
Painting ID::  25638
Diogenes (mk41)
1882 82x53in Sydney,Art Gallery of New South Wales
1882 82x53in Sydney,Art_Gallery_of_New_South_Wales
   
   
     

John William Waterhouse The Remorse of Nero after the Murder of his Mother (mk41) oil


The Remorse of Nero after the Murder of his Mother (mk41)
Painting ID::  25640
The Remorse of Nero after the Murder of his Mother (mk41)
1878 37x66in Courtesy Sotheby's
1878 37x66in Courtesy_Sotheby's
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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