Joseph wright of derby

1734-97 English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794).


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Joseph wright of derby The Cloister of San Cosimato oil


The Cloister of San Cosimato
Painting ID::  88426
The Cloister of San Cosimato
1789(1789) Medium Oil on mahogany cyf
1789(1789) _ Medium_Oil_on_mahogany _ cyf
   
   
     

Joseph wright of derby Joseph Wright of Derby oil


Joseph Wright of Derby
Painting ID::  88734
Joseph Wright of Derby
1768-70. Oil on canvas. 90.8 x 72.4 cm. Private collection. Date c. 1769(1769) cyf
   
   
     

Joseph wright of derby Academy by Lamplight oil


Academy by Lamplight
Painting ID::  88942
Academy by Lamplight
1768-69 Medium oil on canvas cyf
1768-69 _ Medium_oil_on_canvas _ cyf
   
   
     

Joseph wright of derby Penelope Unravelling Her Web oil


Penelope Unravelling Her Web
Painting ID::  89168
Penelope Unravelling Her Web
1785. Oil on canvas. 101.6 x 127 cm. cjr
1785._Oil_on_canvas._101.6_x_127_cm. cjr
   
   
     

Joseph wright of derby Lake Nemi at Sunset oil


Lake Nemi at Sunset
Painting ID::  90140
Lake Nemi at Sunset
1790. Oil on canvas. 100 x 128 cm. Louvre, Paris, France. Date c. 1790(1790) cyf
   
   
     

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     Joseph wright of derby
     1734-97 English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794).

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