Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
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Kazimir Malevich Self-Portrait oil


Self-Portrait
Painting ID::  27107 		Self-Portrait
mk52 1908 Gouachon on paper 27x26.8cm Tret yakov Gallery,Moscow
   
   
     
Kazimir Malevich Boy with Knapsack-Color Mases in the Fourth Dimensin oil


Boy with Knapsack-Color Mases in the Fourth Dimensin
Painting ID::  30903 		Boy with Knapsack-Color Mases in the Fourth Dimensin
mk68 Oil on canvas New York Museum of Modern Art 1915 Russia
   
   
     
Kazimir Malevich Suprematist Composition oil


Suprematist Composition
Painting ID::  34076 		Suprematist Composition
mk87 c.1914-1916 Oil on canvas 71x44.4cm New York, The Museum of Modern Art
   
   
     
Kazimir Malevich Knife-Grinder oil


Knife-Grinder
Painting ID::  34077 		Knife-Grinder
mk87 1912 Oil on canvas 79.5x79.5cm New Haven,Yale University Art Gallery
   
   
     
Kazimir Malevich Flower Girl, oil


Flower Girl,
Painting ID::  59703 		Flower Girl,
Flower Girl, 1903
Flower_Girl,_1903
   
   
     
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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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