Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
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Kazimir Malevich running man oil


running man
Painting ID::  68714 		running man
1930, oil on canvas 78.5x 65 musee national d art moderne, paris se
   
   
     
Kazimir Malevich peasants oil


peasants
Painting ID::  68715 		peasants
1928-1832, oil on canvas 77.5x88 state russian museum, leningrad se
   
   
     
Kazimir Malevich landscape with five houses oil


landscape with five houses
Painting ID::  68716 		landscape with five houses
1928-32, oil on canvas 83x62 state russian museum, leningrad se
   
   
     
Kazimir Malevich peasant oil


peasant
Painting ID::  68717 		peasant
1928-32, oil on canvas 131x100 state russian museum, leningrad. se
   
   
     
Kazimir Malevich red square oil


red square
Painting ID::  68718 		red square
1915, oil on canvas 53x53 se
1915,_oil_on_canvas_53x53 se
   
   
     
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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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