Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich head of a pesant oil


head of a pesant
Painting ID::  68719
head of a pesant
1928-32. oil on canvas 55x45 se
1928-32._oil_on_canvas_55x45 se
   
   
     

Kazimir Malevich bathing women oil


bathing women
Painting ID::  68720
bathing women
1908, oil on canvas 59x48 state russian museum, leningrad se
   
   
     

Kazimir Malevich peasant and horse oil


peasant and horse
Painting ID::  68721
peasant and horse
1928-32, oil on canvas 57x43 musee national d art moderne, paris. se
   
   
     

Kazimir Malevich peasant woman with buckets oil


peasant woman with buckets
Painting ID::  68722
peasant woman with buckets
1912, oil on canvas 80.3x 80.3 museum of modern art , new york. se
   
   
     

Kazimir Malevich suprematism oil


suprematism
Painting ID::  68723
suprematism
1915, oil on canvas 80x62 se
1915,_oil_on_canvas_80x62 se
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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