LASTMAN, Pieter Pietersz.

Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.
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LASTMAN, Pieter Pietersz. Abraham's Journey to Canaan sg oil


Abraham's Journey to Canaan sg
Painting ID::  7812 		Abraham's Journey to Canaan sg
1614 Oil on canvas transferred from wood, 72 x 122 cm The Hermitage, St. Petersburg
   
   
     
LASTMAN, Pieter Pietersz. Juno Discovering Jupiter with Io g oil


Juno Discovering Jupiter with Io g
Painting ID::  7813 		Juno Discovering Jupiter with Io g
1618 Oil on oak, 54 x 78 cm National Gallery, London
1618 Oil_on_oak,_54_x_78_cm National_Gallery,_London
   
   
     
LASTMAN, Pieter Pietersz. The Triumph of Mordecai g oil


The Triumph of Mordecai g
Painting ID::  7814 		The Triumph of Mordecai g
1624 Oil on panel Museum het Rembrandthuis, Amsterdam
1624 Oil_on_panel Museum_het_Rembrandthuis,_Amsterdam
   
   
     
LASTMAN, Pieter Pietersz. Odysseus and Nausicaa g oil


Odysseus and Nausicaa g
Painting ID::  7815 		Odysseus and Nausicaa g
1619 Oil on panel, 91,5 x 117,2 cm Alte Pinakothek, Munich
   
   
     
LASTMAN, Pieter Pietersz. Orestes and Pylades Disputing at the Altar s oil


Orestes and Pylades Disputing at the Altar s
Painting ID::  7816 		Orestes and Pylades Disputing at the Altar s
1614 Oil on panel, 83 x 126 cm Rijksmuseum, Amsterdam
1614 Oil_on_panel,_83_x_126_cm Rijksmuseum,_Amsterdam
   
   
     
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     LASTMAN, Pieter Pietersz.
     Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.

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