LE SUEUR, Eustache

French painter (b. 1616/17, Paris, d. 1655, Paris). French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts,
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LE SUEUR, Eustache The Muses: Clio, Euterpe and Thalia oil


The Muses: Clio, Euterpe and Thalia
Painting ID::  29633 		The Muses: Clio, Euterpe and Thalia
1652-55 Oil on wood, 130 x 130 cm
1652-55 Oil_on_wood,_130_x_130_cm
   
   
     
LE SUEUR, Eustache The Muses: Melpomene, Erato and Polymnia oil


The Muses: Melpomene, Erato and Polymnia
Painting ID::  29634 		The Muses: Melpomene, Erato and Polymnia
1652-55 Oil on canvas, 130 x 130 cm
1652-55 Oil_on_canvas,_130_x_130_cm
   
   
     
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     LE SUEUR, Eustache
     French painter (b. 1616/17, Paris, d. 1655, Paris). French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts,

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