LIEVENS, Jan

Dutch painter (b. 1607, Leiden, d. 1674, Amsterdam) Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise. Nonetheless, he became a renowned portrait painter and draughtsman, and his drawings
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LIEVENS, Jan Portrait of a Girl dh oil


Portrait of a Girl dh
Painting ID::  7896 		Portrait of a Girl dh
1630-35 Oil on wood, 61,5 x 48 cm Museum of Fine Arts, Budapest
   
   
     
LIEVENS, Jan Portrait of Petrus Egidius de Morrion g oil


Portrait of Petrus Egidius de Morrion g
Painting ID::  7897 		Portrait of Petrus Egidius de Morrion g
1637 Oil on wood, 83,5 x 59 cm Museum of Fine Arts, Budapest
   
   
     
LIEVENS, Jan Pilate Washing his Hands sg oil


Pilate Washing his Hands sg
Painting ID::  7898 		Pilate Washing his Hands sg
Panel Stedelijk Museum De Lakenhal, Leiden
Panel Stedelijk_Museum_De_Lakenhal,_Leiden
   
   
     
LIEVENS, Jan The Violin Player sg oil


The Violin Player sg
Painting ID::  7899 		The Violin Player sg
c. 1625 Panel Stedelijk Museum De Lakenhal, Leiden
c._1625 Panel Stedelijk_Museum_De_Lakenhal,_Leiden
   
   
     
LIEVENS, Jan Four Elements and Ages of Man: Fire and Childhood oil


Four Elements and Ages of Man: Fire and Childhood
Painting ID::  72776 		Four Elements and Ages of Man: Fire and Childhood
Date c. 1668 Medium Oil on panel Dimensions 83 x 58 cm cyf
   
   
     
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     LIEVENS, Jan
     Dutch painter (b. 1607, Leiden, d. 1674, Amsterdam) Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise. Nonetheless, he became a renowned portrait painter and draughtsman, and his drawings

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