Louis Le Nain

1593-1648 French Louis Le Nain Gallery French family of painters. Antoine Le Nain (b Laon, c. 1600; bur Paris, 26 May 1648) and his brothers Louis Le Nain (b Laon, c. 1600; bur Paris, 24 May 1648) and Mathieu Le Nain (b Laon, c. 1607; bur Paris, 26 April 1677) lived together and shared a studio in Paris. Since the studio was headed by Antoine, he is assumed to have been older than Louis. The brothers reputation rests on a number of paintings signed Le Nain, on the basis of which other paintings (but no drawings) have also been attributed to them. None of the signed paintings bears a Christian name, and there is no secure way of attributing works to the individual brothers, although many attempts have been made. Eighteenth-century sale catalogues, fearful of anonymity, effectively chose from the three names at random. Since the writings of Witt (1910) and Jamot (1922) in particular, it has been habitual to ascribe small paintings on copper to Antoine, and austere, larger peasant scenes to Louis. This division of hands will be found in almost all the subsequent literature on the artists, although it must be stressed that there is no evidence at all to support it. Great efforts have also been made to identify works by Mathieu, since he survived his brothers by nearly 30 years and presumably continued to paint after their deaths in 1648. However, no such activity after 1648 is securely documented, and none of the surviving works bears a date later than 1647; and the arguments for a separate Mathieu oeuvre, though cogent, should not be regarded as conclusive. The outstanding feature of the work of the Le Nain brothers, and the basis of their celebrity since the mid-19th century, is the artists treatment of the poor.


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Louis Le Nain Peasant family oil


Peasant family
Painting ID::  57253
Peasant family
mk255 for in 1642. Oil painting, 1.13 x 1.59 meters. Paris, the Louvre
   
   
     

Louis Le Nain young prince, c oil


young prince, c
Painting ID::  64280
young prince, c
1630 nant beaux-artses, muse'e des
1630 nant_beaux-artses,_muse'e_des
   
   
     

Louis Le Nain fransk bondkvinna oil


fransk bondkvinna
Painting ID::  67499
fransk bondkvinna
1625-50 se
1625-50 se
   
   
     

Louis Le Nain Peasant Interior with an Old Flute Player oil


Peasant Interior with an Old Flute Player
Painting ID::  69784
Peasant Interior with an Old Flute Player
oil on canvas painting by Louis Le Nain, Kimbell Art Museum
oil_on_canvas_painting_by_Louis_Le_Nain,_Kimbell_Art_Museum
   
   
     

Louis Le Nain Der Bauernwagen oil


Der Bauernwagen
Painting ID::  70131
Der Bauernwagen
Medium Oil on canvas Dimensions Deutsch: 56 X 72 cm
Medium_Oil_on_canvas _ Dimensions_Deutsch:_56_X_72_cm
   
   
     

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     Louis Le Nain
     1593-1648 French Louis Le Nain Gallery French family of painters. Antoine Le Nain (b Laon, c. 1600; bur Paris, 26 May 1648) and his brothers Louis Le Nain (b Laon, c. 1600; bur Paris, 24 May 1648) and Mathieu Le Nain (b Laon, c. 1607; bur Paris, 26 April 1677) lived together and shared a studio in Paris. Since the studio was headed by Antoine, he is assumed to have been older than Louis. The brothers reputation rests on a number of paintings signed Le Nain, on the basis of which other paintings (but no drawings) have also been attributed to them. None of the signed paintings bears a Christian name, and there is no secure way of attributing works to the individual brothers, although many attempts have been made. Eighteenth-century sale catalogues, fearful of anonymity, effectively chose from the three names at random. Since the writings of Witt (1910) and Jamot (1922) in particular, it has been habitual to ascribe small paintings on copper to Antoine, and austere, larger peasant scenes to Louis. This division of hands will be found in almost all the subsequent literature on the artists, although it must be stressed that there is no evidence at all to support it. Great efforts have also been made to identify works by Mathieu, since he survived his brothers by nearly 30 years and presumably continued to paint after their deaths in 1648. However, no such activity after 1648 is securely documented, and none of the surviving works bears a date later than 1647; and the arguments for a separate Mathieu oeuvre, though cogent, should not be regarded as conclusive. The outstanding feature of the work of the Le Nain brothers, and the basis of their celebrity since the mid-19th century, is the artists treatment of the poor.

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