Luca Giordano

Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.
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Luca Giordano rubens painting the allegory of peace oil


rubens painting the allegory of peace
Painting ID::  56935 		rubens painting the allegory of peace
mk247 c.1660,oil on canvas,132x163 in,337x414 cm,museo del prado,madrid,spain
   
   
     
Luca Giordano Luca Giordano oil


Luca Giordano
Painting ID::  67445 		Luca Giordano
Title Deutsch: Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Triumph der Medici in den Wolken des Olymp, Detail Year 1684-1686
   
   
     
Luca Giordano The Defeat of Sisera oil


The Defeat of Sisera
Painting ID::  70525 		The Defeat of Sisera
Medium Oil on canvas Dimensions Expression error: Missing operand for *102 ?? 130 cm
   
   
     
Luca Giordano Bekronung der Fortitudo mit Ehrenkranz oil


Bekronung der Fortitudo mit Ehrenkranz
Painting ID::  70617 		Bekronung der Fortitudo mit Ehrenkranz
Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Bekrönung der Fortitudo mit Ehrenkranz
   
   
     
Luca Giordano Crucifixion of St Peter oil


Crucifixion of St Peter
Painting ID::  70942 		Crucifixion of St Peter
Medium Oil on canvas Dimensions 196 x 258 cm
Medium_Oil_on_canvas _ Dimensions_196_x_258_cm
   
   
     
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     Luca Giordano
     Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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