Luca Giordano

Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.
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Luca Giordano Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, oil


Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz,
Painting ID::  72605 		Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz,
Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Bekrönung der Fortitudo mit Ehrenkranz cjr
   
   
     
Luca Giordano Venus, Cupid and Mars oil


Venus, Cupid and Mars
Painting ID::  73664 		Venus, Cupid and Mars
Oil on panel cjr
Oil_on_panel cjr
   
   
     
Luca Giordano Portrait of Maria Anna of Neuburg oil


Portrait of Maria Anna of Neuburg
Painting ID::  75061 		Portrait of Maria Anna of Neuburg
1693-1694 Oil on canvas 81 X 61 cm (31.89 X 24.02 in) cjr
   
   
     
Luca Giordano Self-portrait oil


Self-portrait
Painting ID::  78760 		Self-portrait
ca. 1692(1692) Oil on canvas 63 x 49 cm (24.8 x 19.3 in) cjr
   
   
     
Luca Giordano Ein Cynischer Philosoph oil


Ein Cynischer Philosoph
Painting ID::  79499 		Ein Cynischer Philosoph
Oil on canvas 1,03 m x 1,31 m cjr
Oil_on_canvas _ 1,03_m_x_1,31_m _ cjr
   
   
     
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     Luca Giordano
     Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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