Luca Giordano

Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.


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Luca Giordano The Rape of Lucretia oil


The Rape of Lucretia
Painting ID::  81714
The Rape of Lucretia
Luca Giordano, The Rape of Lucretia (Oil on canvas, 1663). cjr
   
   
     

Luca Giordano The Last Supper by Luca Giordano oil


The Last Supper by Luca Giordano
Painting ID::  85941
The Last Supper by Luca Giordano
Oil on Canvas 36 1/2 x 21" cjr
Oil_on_Canvas 36_1/2_x_21" cjr
   
   
     

Luca Giordano The Last Supper oil


The Last Supper
Painting ID::  90125
The Last Supper
Oil on Canvas 36 1/2 x 21" cyf
Oil_on_Canvas 36_1/2_x_21" cyf
   
   
     

Luca Giordano A miracle by Saint Benedict oil


A miracle by Saint Benedict
Painting ID::  91043
A miracle by Saint Benedict
1680(1680) Medium oil on canvas Accession number 987-3-6 cyf
   
   
     

Luca Giordano Marriage of the Virgin oil


Marriage of the Virgin
Painting ID::  96097
Marriage of the Virgin
circa 1688(1688) Medium oil on canvas cyf
circa_1688(1688)_ Medium_oil_on_canvas_ cyf
   
   
     

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     Luca Giordano
     Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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