MASACCIO

Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.


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MASACCIO The Trinity (mk08) oil


The Trinity (mk08)
Painting ID::  21202
The Trinity (mk08)
1425/26 Fresco 667x317cm Florence,Santa Maria Novella
1425/26 Fresco 667x317cm Florence,Santa_Maria_Novella
   
   
     

MASACCIO St Peter distributes the Goods of the Community and The Death of Ananias (mk08) oil


St Peter distributes the Goods of the Community and The Death of Ananias (mk08)
Painting ID::  21203
St Peter distributes the Goods of the Community and The Death of Ananias (mk08)
c.1426/27 Fresco. 230x162cm Florence,Santa Maria del Car-mine,Brancacci Chapel
   
   
     

MASACCIO The Tribute Money (mk08) oil


The Tribute Money (mk08)
Painting ID::  21204
The Tribute Money (mk08)
1426/27 Fresco. 255x598cm Florence,Santa Maria del Carmine,Brancacci Chapel
   
   
     

MASACCIO The Holy Trinity (nn03) oil


The Holy Trinity (nn03)
Painting ID::  23373
The Holy Trinity (nn03)
c 1420 Fresco 667 x 317 cm 262 1/2 x 124 7/8 in Santa Maria Novella Florence
   
   
     

MASACCIO St.Anne Metterza oil


St.Anne Metterza
Painting ID::  29730
St.Anne Metterza
mk67 Tempera on panel 68 7/8x40 9/16in
mk67 Tempera_on_panel 68_7/8x40_9/16in
   
   
     

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     MASACCIO
     Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.

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