MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
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MAULBERTSCH, Franz Anton The Trinity wtu oil


The Trinity wtu
Painting ID::  8159 		The Trinity wtu
Oil on canvas, 62,5 x 33 cm Museum of Fine Arts, Budapest
Oil_on_canvas,_62,5_x_33_cm Museum_of_Fine_Arts,_Budapest
   
   
     
MAULBERTSCH, Franz Anton The Death of Saint Joseph oil


The Death of Saint Joseph
Painting ID::  19341 		The Death of Saint Joseph
1767 Oil on canvas Hungarian National Gallery, Budapest.
1767 Oil_on_canvas Hungarian_National_Gallery,_Budapest.
   
   
     
MAULBERTSCH, Franz Anton Apotheosis of a Hungarian Saint oil


Apotheosis of a Hungarian Saint
Painting ID::  19342 		Apotheosis of a Hungarian Saint
1773 Oil on canvas Gemäldegalerie, Berlin.
1773 Oil_on_canvas Gemäldegalerie,_Berlin.
   
   
     
MAULBERTSCH, Franz Anton Adoration of the Virgin (mk08) oil


Adoration of the Virgin (mk08)
Painting ID::  21948 		Adoration of the Virgin (mk08)
1757 Ceiling fresco Heiligenkreuz-Guttenbrunn,Orgelchor
1757 Ceiling_fresco Heiligenkreuz-Guttenbrunn,Orgelchor
   
   
     
MAULBERTSCH, Franz Anton The Baptism of the Eunuch oil


The Baptism of the Eunuch
Painting ID::  28441 		The Baptism of the Eunuch
mk60 Oil on canvas 20x13 1/2"
mk60 Oil_on_canvas 20x13_1/2"
   
   
     
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     MAULBERTSCH, Franz Anton
     Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century

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