MENGS, Anton Raphael

German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime


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MENGS, Anton Raphael Ferdinand IV, King of Naples oil


Ferdinand IV, King of Naples
Painting ID::  8189
Ferdinand IV, King of Naples
1760 Oil on canvas, 179 x 130 cm Museo del Prado, Madrid
1760 Oil_on_canvas,_179_x_130_cm Museo_del_Prado,_Madrid
   
   
     

MENGS, Anton Raphael Maria Luisa of Parma sg oil


Maria Luisa of Parma sg
Painting ID::  8190
Maria Luisa of Parma sg
1765 Oil on canvas, 48 x 38 cm Museo del Prado, Madrid
1765 Oil_on_canvas,_48_x_38_cm Museo_del_Prado,_Madrid
   
   
     

MENGS, Anton Raphael Self-Portrait w7785 oil


Self-Portrait w7785
Painting ID::  8191
Self-Portrait w7785
1744 Pastel on paper, 55,5 x 42,5 cm Gemäldegalerie, Dresden
   
   
     

MENGS, Anton Raphael Johann Joachim Winckelmann oil


Johann Joachim Winckelmann
Painting ID::  19374
Johann Joachim Winckelmann
Oil on canvas Metropolitan Museum of Art, New York.
Oil_on_canvas Metropolitan_Museum_of_Art,_New_York.
   
   
     

MENGS, Anton Raphael Charles IV as Prince oil


Charles IV as Prince
Painting ID::  19375
Charles IV as Prince
Oil on canvas Museo del Prado, Madrid.
Oil_on_canvas Museo_del_Prado,_Madrid.
   
   
     

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     MENGS, Anton Raphael
     German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

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