Makart, Hans

Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work


       Prev  1  2   Next
  Prev Artist       Next Artist     

   
    

Makart, Hans Abundantia oil


Abundantia
Painting ID::  70867
Abundantia
Medium Oil on canvas
Medium_Oil_on_canvas
   
   
     

Makart, Hans Portrat Dora Fournier oil


Portrat Dora Fournier
Painting ID::  81729
Portrat Dora Fournier
Deutsch: Öl auf Holz Dimensions 145.5 x 93 cm (57.3 x 36.6 in) cyf
   
   
     

Makart, Hans An Egyptian Princess oil


An Egyptian Princess
Painting ID::  86294
An Egyptian Princess
Oil on panel, Private Collection Date 1875(1875) cyf
Oil_on_panel,_Private_Collection_ Date_1875(1875) _ cyf
   
   
     

       Prev  1  2   Next
Prev Artist       Next Artist     

     Makart, Hans
     Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings