Master of Moulins

French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
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Master of Moulins The Dauphin Charles Orlant oil


The Dauphin Charles Orlant
Painting ID::  81794 		The Dauphin Charles Orlant
1494(1494) Medium Oil on wood cyf
1494(1494) _ Medium_Oil_on_wood _ cyf
   
   
     
Master of Moulins The Annunciation oil


The Annunciation
Painting ID::  83260 		The Annunciation
Date 1500(1500) Medium Oil on wood cjr
Date_1500(1500) _ Medium_Oil_on_wood _ cjr
   
   
     
Master of Moulins Portrait of Margaret of Austria oil


Portrait of Margaret of Austria
Painting ID::  84570 		Portrait of Margaret of Austria
Date between 1490(1490) and 1491(1491) Medium tempera and Oil on wood cjr
   
   
     
Master of Moulins Portrait of Margaret of Austria oil


Portrait of Margaret of Austria
Painting ID::  88424 		Portrait of Margaret of Austria
between 1490(1490) and 1491(1491) Medium tempera and Oil on wood cyf
   
   
     
Master of Moulins The Virgin and Child before a Firescreen oil


The Virgin and Child before a Firescreen
Painting ID::  96979 		The Virgin and Child before a Firescreen
1430(1430) Medium oil on panel cyf
1430(1430)_ Medium_oil_on_panel_ cyf
   
   
     
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     Master of Moulins
     French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.

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