Master of the Legend of St. Lucy

(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.


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Master of the Legend of St. Lucy St Nicholas Altarpiece oil


St Nicholas Altarpiece
Painting ID::  90051
St Nicholas Altarpiece
between 1486(1486) and 1493(1493) Medium oil on oak panel Dimensions Height: 101.5 cm (40 in). Width: 81.5 cm (32.1 in). cyf
   
   
     

Master of the Legend of St. Lucy Scene from the St Lucy Legend oil


Scene from the St Lucy Legend
Painting ID::  90321
Scene from the St Lucy Legend
1480(1480) Medium oil on panel cyf
1480(1480) _ Medium_oil_on_panel _ cyf
   
   
     

Master of the Legend of St. Lucy St Veronica with the Sudarium oil


St Veronica with the Sudarium
Painting ID::  91119
St Veronica with the Sudarium
between 1480(1480) and 1500(1500) Medium oil on oak panel cyf
   
   
     

Master of the Legend of St. Lucy Legend of St Lucy oil


Legend of St Lucy
Painting ID::  92130
Legend of St Lucy
1480(1480) Medium oil on oak panel Dimensions Height: 79 cm (31.1 in). Width: 183 cm (72 in). cyf
   
   
     

Master of the Legend of St. Lucy Mary, Queen of Heaven oil


Mary, Queen of Heaven
Painting ID::  92367
Mary, Queen of Heaven
Date c. 1485-1500 Medium oil on panel Dimensions 199.2 X 161.8 cm (78.4 X 63.7 in) TTD
   
   
     

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     Master of the Legend of St. Lucy
     (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.

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