Master of the Legend of St. Lucy

(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.


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Master of the Legend of St. Lucy Lamentation oil


Lamentation
Painting ID::  85899
Lamentation
Date 1490s Medium Oil on oak panel Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in). cjr
   
   
     

Master of the Legend of St. Lucy Scene from the St Lucy Legend oil


Scene from the St Lucy Legend
Painting ID::  86205
Scene from the St Lucy Legend
Date 1480(1480) Medium Oil on wood cjr
Date_1480(1480) _ Medium_Oil_on_wood _ cjr
   
   
     

Master of the Legend of St. Lucy Scenes from the Life of St Ursula oil


Scenes from the Life of St Ursula
Painting ID::  87835
Scenes from the Life of St Ursula
second half of 15th century Medium Oil on wood cyf
second_half_of_15th_century _ Medium_Oil_on_wood _ cyf
   
   
     

Master of the Legend of St. Lucy Virgin and Child with an Angel oil


Virgin and Child with an Angel
Painting ID::  90006
Virgin and Child with an Angel
between 1480(1480) and 1500(1500) Medium oil on oak panel cyf
   
   
     

Master of the Legend of St. Lucy Lamentation oil


Lamentation
Painting ID::  90050
Lamentation
1490s Medium oil on oak panel Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in). cyf
   
   
     

       Prev  1  2  3   Next
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     Master of the Legend of St. Lucy
     (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.

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