Miel, Jan

Dutch Baroque Era Painter, ca.1599-1664 Flemish painter, active in Italy. Miel must have arrived in Rome in the early 1630s; he immediately came under the influence of Pieter van Laer (il Bamboccio) and the BAMBOCCIANTI. His earliest paintings of bambocciate (low-life scenes) are the Bowls Players (1633; Paris, Louvre) and its companion piece The Cobbler (Besan?on, Mus. B.-A. & Arch?ol.). Shortly after his arrival in Rome, Miel joined the Schildersbent, a confraternity of Netherlandish artists, and was given the nickname 'Bieco' ('threatening look'). His presence in Rome is documented from 1636 to 1658, when he moved to Turin and entered the service of Charles-Emanuel II, Duke of Savoy. Other early paintings that can be attributed to the 1630s include Halt at the Inn (Marseille, Mus. B.-A.) and Hunters' Rest (Warsaw, N. Mus.). Both are reworkings, in their subject-matter and composition, of contemporary paintings by van Laer
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Miel, Jan Carnival in the Piazza Colonna, Rome oil


Carnival in the Piazza Colonna, Rome
Painting ID::  19424 		Carnival in the Piazza Colonna, Rome
1645 Oil on canvas Wadsworth Atheneum, Hartford, CT.
1645 Oil_on_canvas Wadsworth_Atheneum,_Hartford,_CT.
   
   
     
Miel, Jan Roman Carnival oil


Roman Carnival
Painting ID::  19425 		Roman Carnival
1653 Oil on canvas Museo del Prado, Madrid.
1653 Oil_on_canvas Museo_del_Prado,_Madrid.
   
   
     
Miel, Jan Carnival Time in Rome oil


Carnival Time in Rome
Painting ID::  51183 		Carnival Time in Rome
1653 Oil on canvas
1653_ Oil_on_canvas
   
   
     
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     Miel, Jan
     Dutch Baroque Era Painter, ca.1599-1664 Flemish painter, active in Italy. Miel must have arrived in Rome in the early 1630s; he immediately came under the influence of Pieter van Laer (il Bamboccio) and the BAMBOCCIANTI. His earliest paintings of bambocciate (low-life scenes) are the Bowls Players (1633; Paris, Louvre) and its companion piece The Cobbler (Besan?on, Mus. B.-A. & Arch?ol.). Shortly after his arrival in Rome, Miel joined the Schildersbent, a confraternity of Netherlandish artists, and was given the nickname 'Bieco' ('threatening look'). His presence in Rome is documented from 1636 to 1658, when he moved to Turin and entered the service of Charles-Emanuel II, Duke of Savoy. Other early paintings that can be attributed to the 1630s include Halt at the Inn (Marseille, Mus. B.-A.) and Hunters' Rest (Warsaw, N. Mus.). Both are reworkings, in their subject-matter and composition, of contemporary paintings by van Laer

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