Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703


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Monamy, Peter Stern view of the Royal William firing a salute oil


Stern view of the Royal William firing a salute
Painting ID::  44734
Stern view of the Royal William firing a salute
mk175
mk175
   
   
     

Monamy, Peter Stern view of the first-rate Britannia oil


Stern view of the first-rate Britannia
Painting ID::  44735
Stern view of the first-rate Britannia
mk175 28x36
mk175 28x36
   
   
     

Monamy, Peter THe Ship rigged royal yacht Dublin in two positions oil


THe Ship rigged royal yacht Dublin in two positions
Painting ID::  44736
THe Ship rigged royal yacht Dublin in two positions
mk175 43x55
mk175 43x55
   
   
     

Monamy, Peter Stern view of the Royal Caroline oil


Stern view of the Royal Caroline
Painting ID::  44737
Stern view of the Royal Caroline
mk175 38x39
mk175 38x39
   
   
     

Monamy, Peter British men-o-war and a merchantman off Elizabeth Castle,Jersey oil


British men-o-war and a merchantman off Elizabeth Castle,Jersey
Painting ID::  44738
British men-o-war and a merchantman off Elizabeth Castle,Jersey
mk175 1740
mk175 1740
   
   
     

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     Monamy, Peter
     English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703

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