Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703


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Monamy, Peter A fleet coming to anchor oil


A fleet coming to anchor
Painting ID::  44739
A fleet coming to anchor
mk175 36x51
mk175 36x51
   
   
     

Monamy, Peter A Small Sailing boat and a merchantman at sea in a rising Wind oil


A Small Sailing boat and a merchantman at sea in a rising Wind
Painting ID::  44740
A Small Sailing boat and a merchantman at sea in a rising Wind
mk175 19x23
mk175 19x23
   
   
     

Monamy, Peter A clam estuary scene oil


A clam estuary scene
Painting ID::  44741
A clam estuary scene
mk175 27x35
mk175 27x35
   
   
     

Monamy, Peter A royal yacht and other shipping off the coast oil


A royal yacht and other shipping off the coast
Painting ID::  44742
A royal yacht and other shipping off the coast
mk175 25x39
mk175 25x39
   
   
     

Monamy, Peter A clam sunset scene oil


A clam sunset scene
Painting ID::  44743
A clam sunset scene
mk175 19x25
mk175 19x25
   
   
     

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     Monamy, Peter
     English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703

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