Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703


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Monamy, Peter A clam scene,with two small drying sails oil


A clam scene,with two small drying sails
Painting ID::  44744
A clam scene,with two small drying sails
mk175 11x13
mk175 11x13
   
   
     

Monamy, Peter A two-decker and a yacht anchored near a tower oil


A two-decker and a yacht anchored near a tower
Painting ID::  44745
A two-decker and a yacht anchored near a tower
mk175 11x13
mk175 11x13
   
   
     

Monamy, Peter A fifty gun two-decker,at sea near a coast oil


A fifty gun two-decker,at sea near a coast
Painting ID::  44746
A fifty gun two-decker,at sea near a coast
mk175 16x28
mk175 16x28
   
   
     

Monamy, Peter The Loss of H.M.S. Victory in a gale on 4 October 1744 oil


The Loss of H.M.S. Victory in a gale on 4 October 1744
Painting ID::  44747
The Loss of H.M.S. Victory in a gale on 4 October 1744
mk175 30x24
mk175 30x24
   
   
     

Monamy, Peter English ships beating to windward in a gale oil


English ships beating to windward in a gale
Painting ID::  44748
English ships beating to windward in a gale
mk174 34x48
mk174 34x48
   
   
     

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     Monamy, Peter
     English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703

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