Moore, Albert Joseph

English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.


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Moore, Albert Joseph Apricots oil


Apricots
Painting ID::  19495
Apricots
1866 Oil on canvas Fulham Public Library, London.
1866 Oil_on_canvas Fulham_Public_Library,_London.
   
   
     

Moore, Albert Joseph Shuttlecock oil


Shuttlecock
Painting ID::  19496
Shuttlecock
1868-70 Oil on canvas Private collection.
1868-70 Oil_on_canvas Private_collection.
   
   
     

Moore, Albert Joseph Battledore oil


Battledore
Painting ID::  19497
Battledore
1868-70 Oil on canvas Private collection.
1868-70 Oil_on_canvas Private_collection.
   
   
     

Moore, Albert Joseph A Venus oil


A Venus
Painting ID::  19498
A Venus
1869 Oil on canvas York city Art Gallery.
1869 Oil_on_canvas York_city_Art_Gallery.
   
   
     

Moore, Albert Joseph A Garden oil


A Garden
Painting ID::  19499
A Garden
1869 Oil on canvas Tate Gallery, London.
1869 Oil_on_canvas Tate_Gallery,_London.
   
   
     

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     Moore, Albert Joseph
     English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.

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