OUDRY, Jean-Baptiste

French Baroque Era Painter, 1686-1755 French painter. He was the principal animal painter and one of the foremost decorative painters during the first half of Louis XV's reign. After initial training as a portrait painter, he concentrated on still-lifes; by the 1720s he had also begun to establish himself as a specialist in hunting scenes, game-pieces and portraits of animals. He ran an active workshop, often keeping his best originals for years and selling copies and (more or less autograph) variants. In the 1730s he was most active as a tapestry designer, making numerous designs for the royal tapestry works of Beauvais and the Gobelins, and he continued to produce his brilliantly painted hunts, still-lifes and studies of animals and birds to the end of his career.


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OUDRY, Jean-Baptiste Allegory of Europe sg oil


Allegory of Europe sg
Painting ID::  8417
Allegory of Europe sg
1722 Oil on canvas Sarah Campbell Blaffer Foundation, Houston
   
   
     

OUDRY, Jean-Baptiste Dead Roe ag oil


Dead Roe ag
Painting ID::  8418
Dead Roe ag
1721 Oil on canvas, 193 x 260 cm Wallace Collection, London
   
   
     

OUDRY, Jean-Baptiste Still Life with Calf's Leg oil


Still Life with Calf's Leg
Painting ID::  19726
Still Life with Calf's Leg
Oil on canvas The Hermitage, St. Petersburg.
Oil_on_canvas The_Hermitage,_St._Petersburg.
   
   
     

OUDRY, Jean-Baptiste A Dog on a Stand oil


A Dog on a Stand
Painting ID::  19727
A Dog on a Stand
1725 Oil on canvas The Hermitage, St. Petersburg.
1725 Oil_on_canvas The_Hermitage,_St._Petersburg.
   
   
     

OUDRY, Jean-Baptiste The Farm oil


The Farm
Painting ID::  19728
The Farm
Oil on canvas Mus??e du Louvre, Paris.
Oil_on_canvas Mus??e_du_Louvre,_Paris.
   
   
     

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     OUDRY, Jean-Baptiste
     French Baroque Era Painter, 1686-1755 French painter. He was the principal animal painter and one of the foremost decorative painters during the first half of Louis XV's reign. After initial training as a portrait painter, he concentrated on still-lifes; by the 1720s he had also begun to establish himself as a specialist in hunting scenes, game-pieces and portraits of animals. He ran an active workshop, often keeping his best originals for years and selling copies and (more or less autograph) variants. In the 1730s he was most active as a tapestry designer, making numerous designs for the royal tapestry works of Beauvais and the Gobelins, and he continued to produce his brilliantly painted hunts, still-lifes and studies of animals and birds to the end of his career.

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